Hard Times - Charles Dickens
Examine Hard Times
as a social novel. / Discuss Dickens as social reformer with special reference
to Hard Times.
“Utilitarianism” owes its full
theoretical development to Jeremy Bentham, who said that society should aim at
the greatest happiness of the greatest number. Bentham held that the aim of
life was happiness; and this happiness-philosophy made an immediate appeal to
the superficial kind of thinking which is known as “utilitarianism” because
this philosophy emphasized the importance of material goods and seemed to
ignore completely the moral and spiritual needs of human beings. According to
this philosophy, if the amount of happiness secured was equal, then gambling
was as good as poetry. It also meant that the happiness of thoroughly selfish
life was equal to or even grater than the happiness of greatest number, Bentham
added a second principle namely that every man was the best judge of his own
interests. This second principle led to the formulation of a policy that came
to be called Laissez-faire, meaning
that ‘people should be left free to act for themselves’.
The theory of utilitarianism was
severely criticized by philosophers like Carlyle who were believers in the
moral and spiritual values of life. The principle of Laissez-faire became in course of time during the Victorian Age, a
term of abuse in the vocabulary of socialism because it stood for governmental
refusal to intervene in the cause of social justice, to protect the weak
against the strong, and to allow individuals to pursue their own selfish
interests. Hard Times shows Dickens’s
antagonism to both utilitarianism and laissez-faire.
Dickens attacks the Victorian Society which has characteristic of the greed for
money that he regarded as the root of all evils.
The utilitarian principle finds
its exponents and champions in the two leading characters of Hard Times, Thomas Gradgrind and Josiah
Bounderby. Grandgrind’s theory of education is evidently an offshoot of his
utilitarian attitude to life. This man emphasizes the importance of facts, and
fails to attach any importance of feelings and emotions. He wants to develop
the reasoning faculty of the pupils in his school and, to that end; he exhorts
the new schoolmaster to teach the boys and the girls in his model school facts,
and facts alone, and to root out everything else. Gradgrind is man of realities,
man of facts and calculations. He always proceeds upon the principle that two
and two are four and nothing more. This “eminently practical man” goes about
with rule, a pair of scales and the multiplication table always in his pocket,
because life and human beings are matters of facts and figures for him.
Bounderby, banker and
industrialist, is another embodiment of the utilitarian principle; he
illustrates the principle of Laissez-faire. Bounderby is described as a “man
perfectly devoid of sentiment”: while Gradgrind does show signs of human
feeling by taking the abandoned sissy under his protection and he certainly
changes his outlook upon life by the time the story ends, Bounderby shows no
signs of any human feeling and remains till the end what he is at the
beginning. Bounderby is a man “made out of a coarse material”. He constantly
boasts of his being a self-made man; he looks upon his workmen as tools by
using which in the proper manner he can enrich himself. He is frankly
contemptuous of the needs, requirements, and demands of his workmen; because he
thinks that these people would not be satisfied with anything less than turtle
soup and venison, with gold spoon. He shamelessly regards industrial smoke as
“meat and drink” for the workers and for the factory-owners; this smoke is in
his opinion the healthiest thing in the world in all respects, and particularly
for the lungs. Dickens’s portrayal of Bounderby is as severe a condemnation of
utilitarianism as could be imagined from the pen of a great satirist.
Thus Hard Times is considered a
social novel or of Dickens as a social reformer in this novel. Dickens’s
criticism of the hypocrisy and false pride of the upper classes as represented
in the portrayal of Mrs. Sparsit, Slackbridge, and Harthouse and his
unemotional pursuit of Louisa.
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