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The
Character of Lady Macbeth
Lady Macbeth is one of the most famous
and frightening Shakespeare’s female characters. The most outstanding feature
of her character is her iron-will and determination. When we first see her, she
is already plotting Duncan’s murder. She is stronger, more ruthless and more
ambitious than her husband.
With all her iron will, self-control and
singleness of purpose make her a little inhuman. She has no pity for the old king Duncan. She
has no consciousness of the treachery and baseness of the murder. She has no
sense of the value of the lives of the wretched grooms on whom the guilt is
laid. She has no shrinking from the hatred and condemnation of the world, and
no fear of consequences in this world or the world to come. All these aspects
of this woman character make us feel that she is utterly inhuman. Coleridge
rightly said, “She evinces no womanly
feeling, no wifely joy, at the return of her husband”. Malcolm calls her “the fiend-Queen” and all the critics
have called her “the fourth witch”.
As soon as Macbeth returns from the
battle victoriously, she goes straight to the point without any greetings of
wifely joy at his return and permits him to speak of nothing else. She assumes
the direction of affairs, animates him by picturing the deed as heroic, and
overcomes his resistance by presenting him with a prepared scheme, which shall
remove from the terror and danger of deliberation. She rouses him with taunts
and “chastises him with the valour of her
tongue”. She persuaded and compelled Macbeth to go ahead to do the deed as
“her eyes are fixed upon the crown and
the means to it”.
Lady Macbeth has immense courage,
will-power, and self-control, but she is totally lacking in imagination. She
fails to understand her husband’s real character, interprets her moral scruples
as mere cowardice. So, she instigates him to do the crime. If we look beneath
the surface of Lady Macbeth’s character we find that even in the earlier
scenes, there is ample evidence to show that she has feminine weakness and
human feelings, which account for her later breakdown. We must remember that
she knows that her husband is infirm of will that he is “too full of the milk of human kindness” and, therefore, she sets
herself to counteracting his infirmity.
However, the realizations of their
hideous crimes come to her soon after the murder. She begins to sink into
disillusionment and depression. The
glory of her dream soon fades away. She is exhausted with sleepless nights. She
exclaims:
Nought is had, all is spent,
Where our desire is got
without content.
Disillusionment and despair prey upon her
more and more. Though, She takes practically no part in the action but she
gradually recedes into the background. The readers get the pathetic spectacle
of the sleepwalking scene – the culmination of a long process of decay and
dissolution. As she walks and talks in her sleep, she relives the crimes that
she has helped Macbeth to commit, thus revealing guilty secrets. She rubs her
hands desperately as though trying to wash guilty off. Finally she sagged to
death in a miserable condition.
The awe and grandeur of Lady Macbeth’s
character evokes pity in the minds of the readers in the last scenes of the
play.
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