DEATH,
BE NOT PROUD, though some have called thee
Mighty
and dreadful, for thou art not soe;
For
those whom thou think’st thou dost overthrow
Die
not, poore Death, nor yet canst thou kill mee.
From
rest and sleepe, which but thy pictures bee,
Much
pleasure — then from thee much more must flow;
And
soonest our best men with thee doe goe,
Rest
of their bones and soul’s deliverie.
Thou’rt
slave to Fate, Chance, kings and desperate men,
And
dost with poyson, war, and sickness dwell;
And
poppie of charms can make us sleepe as well,
And
better than thy stroake. Why swell’st thou then?
One
short sleepe past, wee wake eternally,
And
Death shall be no more, Death, thou shalt die.
JOHN
DONNE (1571 – 1631) was born in London and was educated at Oxford and
Cambridge. Then he entered Lincoln’s Inn. At first a Roman Catholic he later
became Anglican. He was secretary to the lord keeper, Sir Egerton, from 1596 to
1602 but upon secretly marrying Anne Moore, the lord keeper’s wife’s niece, he
fell from grace. His sermons rank among the best in the seventeenth century. He
wrote a large variety of poems: satires, epistles, elegies, and miscellaneous
poems. His poetry has been described as ‘metaphysical’.
DEATH BE NOT PROUD is a poem
where Donne challenges the power of death and by argument shows him (death) to
be powerless. He describes death as a slave of fate, chance, kings, and
murderers, and one who lives a miserable life with poison, war, and sickness.
Death cannot destroy man because man’s soul is liberated by death and in the
other world it does not even exist. In the poem Donne addresses death as a
person; this device is known as personification.
mighty: great
and powerful
dreadful: fearful
overthrow: defeat; (here) kill
which but thy pictures bee: which closely resemble death. “Death’ is often referred to as
‘sleep’.
best men: most virtuous people; those who are
loved by God die young.
soules deliverie: their souls are freed from their bodily prisons
poppie: opium or opium preparations.
charmes: drugs with magical properties.
better than they stroake: their
operation is gentle and painless.
swell’st: feels proud
wee wake eternally: live forever in the other world.
Summary:
“Death
Be Not Proud” is one of the finest poems of John Donne from his collection of
poems “Holy Sonnets” addressed to Death. Death is generally supposed to be
‘mighty and dreadful’, but in reality it is neither ‘mighty’ nor ‘dreadful’.
Therefore it should not be proud.
Having
stated his point of view, Donne proceeds like a clever lawyer to give argument
to prove it. Death is not dreadful, for those whom death is supposed to kill
are not killed in reality. They do not die; they only sleep a long and peaceful
sleep. Rest and sleep resemble death. As great comfort and pleasure results
from sleep, so greater comfort and
pleasure must result from death.
That is why those who are virtuous die young. Death merely frees their souls
form the prison of their bodies, and provides rest to their bodies. As death
brings rest and quiet, it cannot be regarded as dreadful in any way.
Death
is not ‘mighty’ as well. It is not like a mighty king, but like a wretched
slave. It is a slave of fate, chance, wicked and malicious persons, poison,
wars and sickness. Death is not the cause, but the instrument. It obeys the
call of accidents, kings, wicked murderers, poison, war, old age, and sickness.
It is not a free agent, but a miserable slave who lives in such wretched
company with sickness and old age. It cannot be regarded as glorious or mighty
in any way. As a matter of fact, opium preparations or similar other intoxicants,
or drugs supposed to have magical properties, can induce better sleep and with
a far gentler and painless operations.
Finally, there is reason at all
for Death to be proud of its powers. Death can make sleep only for a short
while. After our short sleep in the grave, we will awake in the other world and
live there eternally. Then Death will have no power over us. Thus, in reality,
Death does not kill us; it is death itself which dies. In this way, the sonnet
ends with a paradox which the poet has already proved and established.
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