THE CONJURER’S REVENGE –
STEPHEN LEACOCK
“Now, Ladies and
gentlemen,” said the conjurer, “having shown that the cloth is absolutely
empty, I will proceed to take from it a bowl of goldfish, Presto!”
All around the
hall people were saying, “Oh, how wonderful! How does he do it?”
But the Quick
Man on the front seat said in a big whisper to the people near him, “He – had –
it – up – his – sleeve.”
Then the people
nodded brightly at the Quick Man and said, “Oh, of course,” and everybody
whispered round the hall, “He – had – it – up – his – sleeve.”
“My next trick,”
said the conjurer, “is the famous Hindostanee rings, you will notice that the
rings are apparently separate, at a blow they all join (clang, clang, clang) –
Presto!”
There was a
general buzz of stupefaction till the Quick Man was heard to whisper, “He –
must – have – had – another – lot – up – his – sleeve.”
Again everybody
nodded and whispered, “The – rings – were – up – his – sleeve.”
The brow of the
conjurer was clouded with a gathering frown.
“I will now,” he
continued, “show you a most amusing trick by which I am enabled to take any
number of eggs from a hat. Will some gentleman kindly lend me his hat? Ah,
thank – you – Presto!”
“He extracted
seventeen eggs, and for thirty-five seconds the audience began to think that he
was wonderful. Then the Quick Man
whispered along the front bench, “he – has – a – hen – up – his – sleeve,” and
all the people whispered it on. “He – has – a – lot – of – hens – up – his –
sleeve.”
The egg trick
was ruined.
It went on like
that all through. It transpired from the whispers of the Quick Man that the
conjurer must have concealed up his sleeve, in addition to the rings, hens, and
fish, several packs of cards, a loaf of bread, a doll’s cradle, a live guinea-pig,
a fifty-cent piece, and a rocking-chair.
The reputation
of the conjurer was rapidly sinking below zero. At the close of the evening he
rallied for a final effort.
“Ladies and
gentlemen,” he said, “I will present to you, in conclusion, the famous Japanese
trick recently invented by the natives of Tipperary .
Will you, sir,” he continued, turning toward the Quick Man, “will you kindly
hand me your gold watch?”
It was passed to
him.
“Have I your
permission to put it into this mortar and pound it to pieces? He asked savagely.
The Quick Man
nodded and smiled.
The conjurer
threw the watch into the mortar and grasped a sledge hammer from the table.
There was a sound of violent smashing. “He’s – slipped – it – up – his –
sleeve,” whispered the Quick Man.
“Now, sir,”
continued the conjurer, “will you allow me to take your handkerchief and punch
holes in it? Thank you. You see, ladies and gentlemen, there is no deception,
the holes are visible to the eye.”
The face of the
Quick Man beamed. This time the real mystery of the thing fascinated him.
“And now, sir,
will you kindly pass me your silk hat and allow me to dance on it? Thank you.”
The conjurer
made a few rapid passes with his feet and exhibited the hat crushed beyond
recognition.
“And will you
now, sir, take off your celluloid collar and permit me to burn it in the
candle? Thank you, sir. And allow me to smash your spectacles for you with my
hammer? Thank you.
By this time the
features of the Quick Man were assuming a puzzled expression. “This thing beats
me,” he whispered, “I don’t see through it a bit.”
There was a
great hush upon the audience. Then the conjurer drew himself up to his full
height and, with a withering look at the Quick Man, he concluded:
“Ladies and
gentlemen, you will observe that I have, with this gentleman’s permission,
broken his watch, burnt his collar, smashed his spectacles, and danced on his
hat. If he will give the further permission to paint green stripes on his
overcoat, or to tie his suspenders in a knot, I shall be delighted to entertain
you. If not, the performance is at an end.”
And amid a
glorious burst of music from the orchestra the curtain fell, and the audience
dispersed, convinced that there are some tricks, at any rate, that ate not done
up the conjurer’s sleeve.
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