The Glory – Edward Thomas (1878-1917)
The
glory of the beauty of the morning, ——
The
cuckoo crying over the untouched dew;
The
blackbird that has found it, and the dove
That
tempts me on to something sweeter than love;
White
clouds ranged even and fair as new-mown hay;
The
heat, the stir, the sublime vacancy
Of
sky and meadow and forest and my own heart: ——
The
glory invites me, yet it leaves me scorning
All
I can ever do, all I can be,
Beside
the lovely of motion, shape, and hue,
The
happiness I fancy fit to dwell
In
beauty’s presence. Shall I now this day
Begin
to seek as far as heaven, as hell,
Wisdom
or strength to match this beauty, start
And
tread the pale dust pitted with small dark drops,
I
hope to find whatever it is I seek,
Hearkening
to short-lived happy-seeming things
That
we know naught of, in the hazel copse?
Or
must I be content with discontent
As
larks and swallows are perhaps with wings?
And
shall I ask at the day’s end once more
What
beauty is, and what I can have meant
By
happiness? And shall I let all go,
Glad,
weary, or both? Or shall I perhaps know
That
I was happy oft, and oft before,
Awhile
forgetting how I am fast pent,
How
dreary-swift, with naught to travel to.
Is
Time? I cannot bite the day to the core.
Glossary:
Glory: grandeur
cuckoo: a
bird with a call that sounds like its name
blackbird: a
European bird, the male black with a yellow beak and the female is brown with
brown beak; a black North American bird is larger than the European black bird.
mow: to cut gross using
a machine or tool.
scorn: a strong feeling
that sb/sth is stupid or nor good enough
sublime: a
field covered in grass
scorn: a strong feeling
that sb/sth is stupid or not good enough
hearkening: (hearken/harkens)
to listen to sb/sth
hazel: a small tree that
produces small nuts those can be eaten
copse (ka:ps): (also coppice) a small area of trees or
bushes growing together
lark: a small brown
bird with a pleaser-song
swallow: a
small bird with long pointed wings and a tail with two points.
oft: often
pent: an expensive
dreary: that
makes you feel sad, dull and not interested.
swift: done quickly/immediately
naught/nought: (not successful) all our efforts have come to nought
Summary:
Edward
Thomas is a famous early modern English poet, began to write poetry late in his
short life. His poetry is plain – as
Wordsworth’s. He is quite outstanding, conjuring up images of delicate yet
sumptuous natural landscapes.
‘The
Glory’ is mainly focus on the beauty of Nature that occupies a great deal of
Thomas’s work, and it is one of the central concerns of the glory of the
nature. For all the ability Thomas undoubtedly a poet, he does not seem to
consider his insight to mean much – having been inspired by the Nature around
him, its glory leaves him ‘scorning, all I can ever do, all I can be’; any
attempt to put the beauty of nature into words can only ever be synthetic in
some-way, and therefore inadequate. A feeling of inadequacy seems to pervade in
this poem, as Thomas constantly questions himself and wonders whether he should
change approach. Thomas appears to be striving for the perfection in the way he
writes and describes as he perceives in nature itself. As someone who is
wretchedly prone to perfectionism and self-questioning seen in his words. Above
all, ‘The Glory’ appears to be a poem of paradoxes. The obvious one is being in
the berating of himself for not matching the glory of nature. Thomas writes
beautifully and truthfully about the Nature but induces uncertainty and self
doubt. Another contradiction comes in the fabulous closing line of the poem: ‘I
cannot bite the day to the core’.
Besides
producing a great image, it has been suggested that it contains religious
undertone referring specifically to the Garden of Eden. For someone who appears
to want to know more, too much knowledge can be dangerous – indeed, ‘biting to
the core’ may lead to the discovery that nature is not as glorious as it seems,
with illusions being shattered, perhaps some trepidation is good if it means
you can keep your ideals of ‘glory’ intact.
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